PAD Mainz. Its directors Nic Schmidt and Peter Schulz have a real talent and dedication to establish the small -scale venue as an inviting place within the local community. For me as a maker it is always invaluable, if the opportunity presents itself to receive feedback from the audience, to not always entirely rely on my subjective feeling of how it might have been received. But how do you prompt a conversation that encourages spontaneous and honest responses? The experience at PAD Mainz showed that the atmosphere created in the venue can really help. They have build
up a group of regular audience and there is a sense that the audience owns the programme. The presenters introduced our work with a short speech in the foyer and afterwards were approachable and interested.
The venue is also maintaining its close links to Künstlerhaus Mousonturm in the neighboring city Frankfurt, who had commissioned some of the other artist's works, including Martha & Lucy's Fine Bone China, both based in Bristol, and London based Mamoru Iriguchi's Into the skirt. Unfortunately we missed their performances, which were shown earlier in the festival, but I hope to catch up on their work very soon. However they stayed on to see our performance and there was plenty of opportunity to talk (while eating the delicious diner that had been cooked backstage). I think nobody wanted to leave this very warm and welcoming place.